Modern jazz artists influenced carla bley10/31/2023 ![]() There is much more that is elating in this noteworthy document, all of which reinforces the significance of Bley as a composer. ![]() This is an absolute delight, the final irresistible pull coming from Sheppard and his tenor, riding high on bop and unleashing a veritable pantheon of stimulating ideas. Ideas change shape and coalesce into some funky stuff that goes by the name of "Hip Hop," with Bley playing a cativating piano melody that gets a bounce on the bass from Swallow. Explore the innovative compositions and piano playing of Carla Bley, a groundbreaking figure in the jazz world.How to paint sunsets in Watercolor like a pro. His breathing evolutes, changing the temperament and the pulse, until he blows out for Steve Swallow and Billy Drummond, who open up the space, their conversation unhurried yet punched with eloquence. With the kind of assimilators, and interpreters, of her music that undertook the journey with her, the results could only be endearing.Īs just one example, there is Andy Sheppard on the soprano sax, probing lines that tumble into billowing circular grooves that at first spell "Wink Leak" then extend into "Traps" and "Leonard Feather" and get a slam dunk of a workout. A visit with inventive and eccentric jazz composer Carla Bley, who brings wry humor to a conversation about the challenges of writing for her very big bands, her early days as a cigarette girl in NYC jazz clubs, and why America might be famous for baked beans. ![]() She offers an odd sense of air and time, meters that do not fall into a predictable groove. Could there be problems with that? An unusual trajectory is well worth cocking an ear, or two, to. She writes with wit and a quirky sense of direction. The pictures are great too, and if one wants to get deeper into the whole experience, just log on to the Watt web site and have dollops of fun! It is easy to see what led to the name of The Lost Chords.īley is an uncompromising composer. A few months shy of three years following the release of Trios (ECM, 2013), composer/keyboardist and NEA Jazz Master Carla Bley returns with Andando el Tiempo, an album of largely introspective music that shares much with its predecessor, but also acts as a flip side of the same coin. Carla Bley is interesting and witty in relating the experiences of the band on their first European tour in the liner notes to this new release. She has been in the jazz scene for 60 years and is still prolific in her output and in all of her musical activities.
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